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The Vanderbilt Hustler
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The official student newspaper of Vanderbilt University
Subscribe to our weekly digest!
The Vanderbilt Hustler
News
Academic
Administration
Campus Safety
Housing & Dining
Politics
Research
Student Groups
Life
Art
Campus
Entertainment
Fashion
Food
Music
Nashville
Sports
Administration
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Cross Country
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Golf
Lacrosse
Men’s Basketball
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Swimming
Tennis
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Opinion
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Letters From the Editor
Letters to the Editor
Staff Editorials
Features
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Nashville
Multimedia
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Photos of the Week
Visual Essays
Campus
Music
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The official student newspaper of Vanderbilt University
Rating the 2023 Oscars Best Picture nominations
Blythe Bouza
and
Charlie Pagan
March 12, 2023
Is ‘Black Adam’ here to save the DC cinematic universe?
Deniz Orbay
, Deputy Life Editor
October 21, 2022
‘Don’t Worry Darling’: The long-awaited publicity nightmare
Natalie Vitols
, Staff Writer
October 2, 2022
‘Emily the Criminal’ unlocks the brutality of the millennial grind
Annabelle Littlejohn-Bailey
August 16, 2022
‘The Northman’ is brutal, beautiful and bold
Deniz Orbay
, Staff Writer
May 12, 2022
Netflix’s ‘Metal Lords’ is more than just metal
Grace Delmonte
, Staff Writer
April 11, 2022
“Moonshot” does indeed shoot for the moon, but only gets halfway there
Deniz Orbay
, Staff Writer
March 31, 2022
Bullock and Tatum steal some treasure—and our hearts—in “The Lost City”
Andrew Kolondra Jr.
, Life Editor
March 27, 2022
“The Batman” is the epitome of what superhero movies can become
Deniz Orbay
, Staff Writer
March 2, 2022
Good news for moms everywhere: Elvis biopic set to release this year
Deniz Orbay
, Staff Writer
February 23, 2022
Leatherface meets 2022: The modernization of the “Texas Chainsaw Massacre” franchise
Blythe Bouza
, Staff Writer
February 22, 2022
‘Spider-Man: No Way Home’ has tangled the film industry in a multiversal mess
William Yuk
February 21, 2022
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