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The official student newspaper of Vanderbilt University.
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The official student newspaper of Vanderbilt University

The Vanderbilt Hustler

The official student newspaper of Vanderbilt University.
The official student newspaper of Vanderbilt University

The Vanderbilt Hustler

The official student newspaper of Vanderbilt University.

I Couldn’t ‘Drive’ Away From an Episode Faster: Episode 3 of ‘American Horror Stories’ Season 2

The third installment of “American Horror Stories” falls flat, with Bella Thorne’s presence being the only semi-redeemable aspect.
Promotional+poster+for+%E2%80%9CDrive.%E2%80%9D
Hulu
Promotional poster for “Drive,” which is now streaming on Hulu. (Photo courtesy of Hulu)

“First 2 episodes were decent, now it’s back to being bad.”

“Bella was actually decent. The writing, not so much.”

“Good episode but nothing wow.”

These statements all come from one of the latest posts on American Horror Story’s Instagram; fans are clearly not happy about “Drive,” the latest episode of season 2 of “American Horror Stories” (AHS(S)).

I can’t say that I blame them.

After the release of two fairly strong episodes, “Drive” falls flat with its poor writing, predictable plot and questionable acting. 

The episode revolves around Marci (Bella Thorne), a snobby, party girl who wants to go clubbing every night of the week and find people to hook up with in the back of her Range Rover. While I’m not here to shame anyone’s lifestyle choices, Marci’s behavior isn’t exactly the smartest thing to do given that a mysterious figure is kidnapping young women from clubs. 

When driving home from the club (who drives to a club, first of all), Marci is followed home by a red Jeep Wrangler. The Jeep tails Marci’s car and frantically flashes its headlights. If this storyline sounds familiar to you, it’s based on an old urban legend occasionally known as “Killer in the Backseat.” Does this parallel mean that the Jeep was attempting to be helpful rather than malicious? Perhaps. That’s for viewers to figure out on their own. 

I don’t want to spoil too much of the plot details of this episode, because the twist, while fairly predictable once you begin watching, is possibly the only redeeming quality of “Drive.” The script is rather corny, with lines reading as cringey and ingenuine. Additionally, there is a ton of foreshadowing in the first scene where Marci talks to her friend Piper (Stevanna Jackson) at the club. I’m all for some clever foreshadowing, but the statements feel overly deliberate and out of place for the scene, holding the viewer’s hand far too much. There’s no room for any real scares or suspense. 

To make “Drive” eerier and more suspenseful, it would have been better if the plot had been split into two episodes. This tactic would not be unfamiliar territory for Murphy and Falchuk; the pair did so for season 1 of “American Horror Stories” with the first two episodes, “Rubber (Wo)man: Part One” and “Rubber (Wo)man: Part Two.” It allowed the creators to drag out the story and create more nuanced details and tension for the plot and its twists. “Drive” attempts to cram a ton of relatively surprising information into a mere 40-ish minutes, making me roll my eyes at the clichè script, half-baked ideas and incredibly lackluster ending. When my computer screen went black, I was incredibly surprised: I expected the episode to possibly have some sort of second part, but I was mistaken. 

Aside from Thorne’s performance as the classic Ryan Murphy “mean girl” (usually reserved for the likes of Emma Roberts), the rest of the acting is disappointing, only exacerbating the failures of the script. Marci’s relationship with Chaz (Anthony De La Torre) feels forced with ultimately no chemistry, and Paul’s (Nico Greetham) emotional tone seems to change every scene, as if he can’t even keep up with what the script demands of his character.

I was incredibly disconnected from “Drive” and even found myself with the strong urge to throw in the towel and scroll through TikTok during the episode. Thorne is the only aspect of the episode that made it mildly redeeming.  

I guess you can say that I recommend driving straight past this episode. 



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About the Contributor
Blythe Bouza
Blythe Bouza, Senior Staff Writer
Blythe Bouza (‘25) is from New Orleans, La., and is double majoring in communication of science and technology and English with a minor in theater. When not writing and editing for The Hustler, you can find her waiting in line for coffee, making niche Spotify playlists or talking about Bret Easton Ellis. You can reach her at [email protected].
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The Vanderbilt Hustler welcomes and encourages readers to engage with content and express opinions through the comment sections on our website and social media platforms. The Hustler reserves the right to remove comments that contain vulgarity, hate speech, personal attacks or that appear to be spam, commercial promotion or impersonation. The comment sections are moderated by our Editor-in-Chief, Rachael Perrotta, and our Social Media Director, Chloe Postlewaite. You can reach them at [email protected] and [email protected].
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Jenn
1 year ago

I was so excited by the first episode this season but it’s been trickling downhill ever since 🙁

A
alan
1 year ago

Wholly unoriginal! Which is a shame because the first half of the episode was suspenseful and interesting, but the second half was a major letdown. Needed to be two parts, and should have been. Actor who played “Paul” was the best one of the whole cast. Don’t sleep on him as a character just because he’s not (spoiler) neither antagonist nor protagonist. This episode aims to be the horror version of “Promising Young Woman” but has a far weaker story.

C
Cathy
1 year ago

Not impressed with American Horror Stories this time around . I hope they improve. Very boring, visual sleep.