movie review - The Vanderbilt Hustler

Can Disney go ‘beyond?’ ‘Moana 2’ meets but does not exceed expectations

By Elena Parisi, Staff Writer
Dec 9, 2024

All the ways ‘Wicked: Part I’ was ‘thrillifying’ on the big screen

By Kirsten Lane, Staff Writer
Dec 1, 2024

FELLAS: ‘Barbie’ fails as feminist film

By Nora Fellas, Deputy Opinion Editor
Jul 28, 2023

‘Emily the Criminal’ unlocks the brutality of the millennial grind

By Annabelle Littlejohn-Bailey
Aug 16, 2022

Netflix’s ‘Metal Lords’ is more than just metal

By Grace Delmonte, Staff Writer
Apr 11, 2022

“Moonshot” does indeed shoot for the moon, but only gets halfway there

By Deniz Orbay, Staff Writer
Mar 31, 2022

Bullock and Tatum steal some treasure—and our hearts—in “The Lost City”

By Andrew Kolondra Jr., Life Editor
Mar 27, 2022

“The Batman” is the epitome of what superhero movies can become

By Deniz Orbay, Staff Writer
Mar 2, 2022

Leatherface meets 2022: The modernization of the “Texas Chainsaw Massacre” franchise

By Blythe Bouza, Staff Writer
Feb 22, 2022

‘Spider-Man: No Way Home’ has tangled the film industry in a multiversal mess

By William Yuk
Feb 21, 2022

Marvel Studios spins a multiversal web with “Spider-Man: No Way Home”

By Aashi Gurijala, Staff Writer
Dec 22, 2021

‘Bruised’ doesn’t win the title fight, but it sure goes down swinging

By Deniz Orbay and Andrew Kolondra Jr.
Dec 6, 2021